The Complete Idiot's Guide to Classic Movies (Complete Idiot's Guide to) 
Sit back, grab some popcorn, and let the credits roll. The Complete IdiotÂ's Guide® to Classic Movies provides comprehensive information on the best classic films from the silent era up through 1969, cross-referenced several different ways for easy access. Also contains fun, Â"insiderÂ" trivia and facts about the movies, the stars, and factors that influenced the movie or the audience at the time of the movieÂ's release.
• Written by a recognized name in the industry who has written books on movies and film for decades
• Features only the best movies (3 and 4 stars) from the silent era up through 1969
• Offers several indexes, which are cross-referenced alphabetically by actor and director, in addition to the main text being indexed by film name and genre
• Includes appendices that provide information on the top 100 films of all time, the greatest movie quotes, Academy Award winners, and Internet references for locating hard-to-find films
Customer Review: You Ain't Read Nothin' Yet
It is almost an oxymoron to read a book about movies, since books are to stimulate your brain and movies are merely entertainment. But the fact is, many book are not worth the paper they are printed on, and certain movies have a profound impact on us. Thus, we have this book by Lee Pfeiffer. Let's examine the evidence. 1)Organization. Good. The sound movies in this book are organized by sixteen genres such as Westerns, Comedies, Romances, and so forth. And for the most part it works. Occasionally, the author goes off the path. For example, John Wayne's The Quiet Man is listed under Comedy, rather than Romances. Also under Comedies are Mr. Smith Goes To Washington and Lilies of the Field. Similarly movies like A Christmas Carol and It's A Wonderful Life are found listed under Sci-Fi/Fantasy. It would have been better had the author made another category like Inspirational to put those movies in. Then again, a good movie is hard to classify. That's why the author wisely put in several indexes. 2)Movie Choices. Great, especially the silent movies which are often overlooked. By organizing the book of genre, classic animation movies like Dumbo and Pinocchio get their due, as well as certain Hammer horror movies. The author mentions how a friend of his despises It's A Mad...Mad World, but he included it anyway. Good call. However, the author refers to the 1955 Ten Commandments starring Charlton Heston as a bad movie. Thumbs down on that. Ten Commandments made the American Film Institute's top 100 inspirational films and Moses made the AFI's top 50 heroes. I also wished that he included Abbott and Costello Meet Frankenstein. The truly bad part is that the films only go to 1969. So that means that Patton (1970) and other classics didn't make it. But that's the fault of the editors. Hopefully, a second volume will remedy that. 3) Information. Excellent. The author is at home with the subject. He lists the company, director, producer, writer, running time, and main actors with their roles, followed by a brief synopsis. He includes composers, like Max Steiner and Elmer Bernstein who have blessed many of my favorite films with memorable tunes. And he did get one detail wrong when he says that Bela Lugosi of Dracula fame died with drug addiction. Bela bravely conquered his addiction, albeit, at the end of his life (at least that what I was told in the commentary to Universal's Dracula). Still, some of the information he reveals is amazing, for example a big error in the movie Yankee Doodle Dandy. (No, I'm not going to tell you.) I only wish there were a good photograph for each movie, but that's just me. 4) Appendix and Index. Great. You are treated to AFI's top 100 films, AFI's top 100 quotes (what we got here is failure to communicate), top ten box office stars 1950-1969, and useful websites. There are indexes of Actors, Directors, and Movies. The indexes make the book very user friendly to find your favorite actor's movies. The jury finds that while this books isn't for a student wanted to go in-depth over a specific film, it is extremely valuable for the average Joe who wants to know about classic films and where to start. Verdict: Not Guilty. P.S. I hope his editors give him the green light for a sequel.
Dracula is unleashed into the first interactive horror movie, faithfully based on the classic legend. The Prince of Darkness is back, driven by revenge and a hunger for human blood. If you dare, assume the role of Alexander Morris as you follow the grisly trail of decapitated corpses, vampire brides and wolf tracks through the blood-drenched streets of London. You direct the drama, suspense and passion as you are drawn into a world of evil where every decision and action you make is inextricably tied to the fates of those you love.
