Romantic Comedy Pack Quadruple Feature

Romantic Comedy Pack Quadruple Feature
Along Came Polly
Opposites are forced to attract in Along Came Polly, a dose of featherweight fluff that could've been better and could've been worse--surely no pairing of Ben Stiller and Jennifer Aniston can be a complete waste of time, right? Faint praise indeed, but fans of these mainstream funny-folk will enjoy this movie as a lazy-weekend distraction. Ben's a newlywed insurance risk-assessment analyst whose wife (Debra Messing, in a throwaway role) betrays him on their honeymoon. His uptight, play-it-safe lifestyle (which includes acute aversion to germs and irritable bowel syndrome) makes him seemingly incompatible with the spontaneous, free-spirited Polly (Aniston), but writer-director John Hamburg (whose writing credits include the previous Stiller hits Meet the Parents and Zoolander) is determined to give them at least the appearance of romantic potential. No such luck. You will, however, get a few laughs from supporting players Philip Seymour Hoffman, Bryan Brown, and Alec Baldwin. --Jeff Shannon

The Wedding Date
If you're a fan of the frazzled comic rhythms Debra Messing plies on Will & Grace, or if you're pre-sold on the concept of Dermot Mulroney as the world's most dashing heartthrob--an idea given ample evidence here--this escapist romance may provide just enough distraction. The Wedding Date's Pretty Woman-in-reverse plot finds Kat Ellis (Messing) hiring expensive male escort Nick Mercer (Mulroney) to fly to London and pose as her dashing new boyfriend at her sister's wedding so she can face the best man, an ex-fiancé who broke her heart. Non-fans of the stars or romantic comedies in general beware: there's no real chemistry or conflict, and you should alert the media if you can determine exactly when and why Kat and Nick fall in love. Mulroney has nothing to do but be sensitively suave--the film's entire running time is spent waiting for Kat to realize that Nick, hooker or no, is the best thing that ever happened to her (her father may be cinema's first dad to ever encourage his daughter to snare a gigolo while she still can). This is a relatively painless but forgettable first Date; you probably won't need a second assignation. --Steve Wiecking

Intolerable Cruelty
A sleek George Clooney and a seductive Catherine Zeta-Jones square off magnificently in the divorce comedy Intolerable Cruelty. The plot is simple: Lawyer supreme Miles Massey (Clooney, Out of Sight, Ocean's Eleven) skillfully outmaneuvers gold-digger Marylin Rexroth (Zeta-Jones, Chicago, Traffic) when she divorces her wealthy husband--and she sets out to get revenge. But this movie comes from the creative minds of the Coen Brothers (Fargo, Raising Arizona, O Brother Where Art Thou?), and so Intolerable Cruelty includes a Scottish wedding chapel in Vegas, an asthmatic hit man, fluffy-dog-stroking European nobility, and a legendarily unbreakable pre-nuptial agreement. Still, it's pretty restrained for the Coens; smooth and consistent, it never stumbles as disappointingly as their movies can, but also never quite hits the operatic pitch of their best work. It's still damn funny, though, with top-notch performances from the leads as well as Geoffrey Rush, Cedric the Entertainer, and Billy Bob Thornton. --Bret Fetzer

The Story of Us
Director Rob Reiner's When Harry Met Sally... was about a relationship beginning; The Story of Us is about a relationship possibly coming to an end. Bruce Willis plays a comedy writer who chafes at what he sees as his wife's lack of spontaneity; Michelle Pfeiffer, who creates crossword puzzles, stews over what she sees as her husband's irresponsibility. The arc of their separation is interspliced with glimpses and scenes from their marriage--a combination of high points (the proposal, the births of their two children), low points (screaming fights), and the in-between (sessions with marriage counselors, moments in bed staring at the TV). Reiner indicates the passage of time by Willis and Pfeiffer's various hairstyles, and they occasionally let their hair act for them, but at other points their performances are sincere and deeply felt. The sheer power of the themes--the inevitability of conflict in a relationship, the necessity and difficulty of growth--give the movie a degree of emotional force, and there's no doubt that everyone who's gone through a difficult period in their marriage (which is just about every married couple) will find something to connect with. However, there isn't a lot of chemistry between the two leads. In one sequence Willis and Pfeiffer go to Venice to rekindle their old spark and find themselves hounded by another couple, the Kirbys from Cleveland, who are loud, crass, boring, and oblivious. Nonetheless, the Kirbys have a buoyancy that the glossy and elegant stars never quite manage; if The Story of Us had been the story of them, it might have been a better story to watch. --Bret Fetzer