Friday 18 September 2009

Pictures at a Revolution: Five Movies and the Birth of the New Hollywood


Pictures at a Revolution: Five Movies and the Birth of the New Hollywood
The New York Times bestseller that follows the making of five films at a pivotal time in Hollywood history

In the mid-1960s, westerns, war movies, and blockbuster musicals like Mary Poppins swept the box office. The Hollywood studio system was astonishingly lucrative for the few who dominated the business. That is, until the tastes of American moviegoers radically— and unexpectedly—changed. By the Oscar ceremonies of 1968, a cultural revolution had hit Hollywood with the force of a tsunami, and films like Bonnie and Clyde, The Graduate, Guess WhoÂ's Coming to Dinner, In the Heat of the Night, and box-office bomb Doctor Doolittle signaled a change in Hollywood—and America. And as an entire industry changed and struggled, careers were suddenly made and ruined, studios grew and crumbled, and the landscape of filmmaking was altered beyond all recognition.
Customer Review: CD Review
This is a very impressive book. Great concept, great research, all very well woven together to create an engrossing picture of an industry and a period which are sometimes unfathomable to the layman. As an industry veteran, and as someone who was marginally involved in some of the movies discussed here, I congratulate Mr. Harris on a job well done. HOWEVER: I am appalled a the sloppiness of the CD reading. Did anyone listen to it? Mr. Harris? Was there a producer? The numerous mis-pronunciations of names and places really made listening a very difficult experience: Sidney Lummit? Larry Tourman? The Mad Woman of Shiloh? Amy Archerd? Cubby Brock-ohli? And on and on. Numerous egregious errors. If only the reader had done his homework. And if only someone had listened to the finished product. Shameful - particularly because the reader has a very appealing voice and delivery.
Customer Review: Great audio book except for...
Doesn't Sidney Lumet's name rhyme with "weigh"? Lloyd James pronounces it to rhyme with "dumb it" throughout! Or am I wrong and he's right?

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